Category Archives: Friendship

Valentine’s Day Writing Challenge–Day 5: My Best Friend’s Best Friend

The Song
“Love” by The Sundays

The Memory
This is not a memory about a lover at all. Instead, it is one of those myriad associations stored up in memory, a link that may seem weak and yet, in fact, makes me feel like there is an ever-stronger web of joy netting me into this life.

When I think of this song, I think of J.E. Johnson’s friend Tobias Becker. There are layers of removal from intimacy there: one of my college best friend’s high school best friends. I probably only ever hung out with Toby under ten times. I know he loved girls wearing sundresses and once made the most beautiful teapot in ceramics class–one with the face of Hermes on it. I know that now, he is happy, with many babies. What was always clear was that he was a gentle soul, and he loved this song, and I remember him singing his favorite line from it, unabashedly:

Well, if yoooooou
don’t have a clue about life
then I’m happy, happy, happy to say
neither have I
although I’m not going to shrug my shoulders and suck my thumb
Thiiiis time

Sometimes, people I adore move in and out of my life with a speed that should make me nauseated. As a teacher, I’m only just now getting used to the fact that students who bond with me during their four years (or even just in their first year) will probably disappear into the ether after graduation, our closeness like a B-12 booster for their growth.

Of course, the opposite is true, too: I maintain many, many deep connections with many, many people.

But part of Valentine’s Day for me is always about the time-lapse film of connections running through my head. It could feel like a string of losses. Or–and this is what I like more–it could feel like the end of Cinema Paradiso: a reel of all the good parts, spliced together, separate from their narratives but beautiful all alone.

The Sundays – Love

Valentine’s Day Writing Challenge–Day 4: Meow Meow Meow

The song
Made-up songs we sing to our cats.

The Memory
Alright, this isn’t really a memory, as much as it is a daily activity. And I do think I make up and sing more songs about Judy than any other cat I’ve ever had.

The most common one is a short ditty: “Judy / the Wonder Cat / not too tall and not too fat.”

The other morning, the first words out of my mouth were a spontaneous song to her, celebrating our differences: “You are made of furrrrrr / and I am made of skiiiiiiinnnnn / Your name is Judy, and my name, dear, is Bryn.”

Real love songs aren’t always good because they’re true or profound. They’re good because you want to sing them, to tell another living creature your heart fills with music because they are near.

Interlude: Ordain Me Now

This post is actually a mini-essay I discovered on my hard drive today. I must have written it in 2002 or 2003, years on my mind right now, as I reconnect with people from that time. What strikes me now is my distance from intimacy in it, the doubt in myself that clearly inspired this. I don’t feel like that anymore.

For many prophets and gurus, their calling comes to them in dreams, a voice across space and time, a light that fills them so suddenly and fully that others respond and follow. For others, it is the conviction in charisma, a sense of self that goes beyond self. When my best friends Erin and Blaine called me one month and asked me to perform their marriage, I took the calling literally and went to the website of the Progressive Universal Life Church. Whereas Satan sat Jesus on a pinnacle and promised him death or power, I was presented with similar but much easier options: Cancel or Ordain me now. I chose the latter.

You can ordain yourself for free with the Universal Life Church, but for $19.95 to the Progressive Universal Life Church, you get a certificate and a wallet-sized card, which my friend promptly laminated for me. The laminated card is important; it is what I pull out to remind me of my duty when times get hard or when someone questions my credibility; and, in a pinch, I can stick it through the collar of a black button-up shirt to double as a priest’s dog collar.

It took me seven years to finish my doctorate in Victorian literature. In five minutes, I was the Reverend Bryn Gribben. In fact, I am the Reverend Doctor Bryn Gribben. Like Martin Luther King. “I can be like Martin Luther King!” I told myself. And it’s not the doctorate that will do that. It’s the “Reverend.”

You can tell when something transcendent is about to happen, sometimes, when the ground on which you stand starts shaking. Sometimes, this is an earthquake; sometimes, it’s the clouds parting. For me, the year I became a minister had been a hard year—all those years in graduate school, if nothing else, make you tired of living for the future. But, like most major religions, they also convince you that in the sweet by and by, there’s manna in the desert. I needed that manna. I’d experienced the ever-humbling double whammy of being terribly in love and of being in my fifth year of teaching. The nearly unbearable sensation of being loved unconditionally holds within it the sneaking certainty that there has to be a hidden condition somewhere. Teaching creates the nearly unbearable realization that, at some point, especially if you’re an English teacher, you are a martyr to budgets and students who view education as a faulty product they want to return before they even open the box. Morever, you’re convinced that this martyrdom is both good and inevitable. How Jewish is that?

And while some say true love and a true vocation are the solid ground on which to plant your feet and find yourself, I was finding my love of teaching and my love of being taught pushing across each other like the plates of some kind of psychic continental drift . . . with the result more like Marx rather than Hallmark: “all that is solid melts into air.”

So when Erin and Blaine asked me to marry them, I felt like I’d been lifted from my sinking ground to a different plane, a better one. Only old friends, who remember you when you were cocksure of your own uniqueness in college, could or would ask you, their last single friend, to perform their marriage, give you credit for knowledge about things you haven’t done. And that means you need to figure out how to be special again.

Combatting egotism is a hard and necessary battle, it seems, for any chosen one. “My God, my God,” wails Jesus, “Why have you forsaken ME?” This, to the god who has it second in the Ten Commandments that “thou shalt not have other gods before me,” who kills nations for what we’d now consider healthily multicultural elementary school displays of mixed idols. When I was 20, one of my male friends insisted I was a goddess. Granted, we were drunk, and he was also insisting he could tell this because he was of “the darkness,” but when my friend Suzanne asked me to baptize her baby because I was the “most spiritual, secular friend she had,” I thought about what it might mean to be a secular priestess without being completely ridiculous about it.

In earlier times, I could have been a contemplative nun, shut away to roam cloisters where doubt was a secret as long as your vow of silence lasted. I could have been St. Theresa of Avila, a contemplative who voiced her criticisms of the Church , paving the way for “contemplative” as I now understand it: as a state in which you analyze it until you can’t stand it anymore and you insist that something must change. But just because I understand my contemplative nature in that way doesn’t mean anything changes, and my doubt never returns me more fully to any god. It just stays full.

The Progressive Universal Life Church insists that its only tenant is that you accept everyone’s chosen path as valid and useful for them. This is the part I have trouble with. I’ve tried to get around it by focusing on the semantic: if someone actually “chose” their path, then I might be able to roll with it. This immediately exempts anyone who’s merely continued along the religious pathway of their culture or family from my ministry, as well as born-again lunatics who insist they were touched by the spirit and couldn’t help but join the Lord. Those kind of sneak attacks don’t count as choice in MY Progressive Universal Life Church.

Years later, I still can’t explain the oddness, the fullness of choice I felt as I clicked on “Ordain me now.” I felt like I’d made a real decision, a decision with weight. I would try, I said to myself—despite the doubt I felt in my abilities, both intellectual and emotional. And I felt special—that suddenly, I had made ground materialize from the air, that somehow, when I said “by the power invested in me by the Progressive Universal Life Church,” it would stick. Or at least, I’d always have the card.

Day 7 of The Ex-Boyfriend Cookbook, a Meditation Challenge: Sullivan’s Cold Rice Salad

Oh, look at that—it’s months later, not, in fact, one day (or even one week later). Perhaps one of the trickiest thing about trying to develop a writing practice is that, in writing, you tend to lose yourself in time, which results in a heightened sense of Time as a Construction. We think we “lose it,” we think we never “have enough” of it, but really, as all writers know, it’s about “making it,” making Time, like you’d make a pie or a cold rice salad.

We return, thus, to The Ex-Boyfriend Cookbook challenge, and on this final day of the “week-long” challenge, I reflect on Sullivan’s Cold Rice Salad. Sullivan was the grandson of Thisbe’s/Erin’s grandmother’s neighbor, and their visits to their grandmothers coincided enough to make a friendship of sorts evolve. (How often we make something out of what we have: mountains out of molehills, love out of nothing at all, friends out of random boys when there’s nothing else to do.) When their grandmothers’ neighbor Myrtle died, the authoress and Sullivan found themselves reunited, sitting shiva together, sharing the food brought by other mourners and their collective, if limited past. Erin/Thisbe brought Wacked-Out Will’s Chicken Wings (another recipe in this cookbook), and Sullivan brought a cold rice salad. It sounds really good—it contains almonds (I will eat anything with almonds), and, best of all, it makes use of leftover rice. You always have leftover rice. The authoress insists that it went extremely well with her chicken wings, which led her to contemplate whether she and Sullivan would have gone well together romantically, if things were different. But they weren’t, and nothing romantic ever happened, and so they grieved and ate together.

Moral of the story: Making do can be more than enough, but we always wish there could have been more.

As the super moon last week drew near, the man I’d been dating the past six months broke up with me. Just as the distant, shining globe of a moon pulled itself closer, an urgent partner interrupting a slow dance, Dan came suddenly into contact with the realization that he was done with our own dance. We’d orbited together, illuminating hours of the night I’d known only in insomnia instead with hours-long conversations and acts of intimacy. As the orbit drew its nearest to the earth, though, he noticed something he hadn’t in awhile: other girls. And it was time to go back to that world. He did it gently. “Please don’t tell people I broke up with you just so I could see other girls,” he groaned, and I know it wasn’t just that. He wants to be present for his age and the experiences it brings, instead of in a private universe of two. I miss him, but I don’t fault him. Whenever you date with a considerable age gap between you and your lover, there are some things you accept—not as inevitable, but as probable and possible.

But I’ve been surprised by many friends’ easy dismissal of this relationship. We began dating shortly after my major break-up, and to some, it might have seemed that he, like Sullivan, was simply sitting shiva with me, a lover found simply by looking to the side and picking who was there rather than by a vetted and careful deliberation about suitability and shared interests. Even Dan shared this perspective, to some degree: we first kissed over the drinks we were having because he’d heard about my break-up and wanted to check in on me. We had a lot of drinks. But we also discovered we went really, really well together—like chicken and rice. We are both quick, both curious, both able to shift topics and make connections in ways that create new things, instead of just fragments.

Primarily, though, saw himself as a companion to me during a difficult time, a fragment disconnected from the larger wholes of our separate lives, visitors thrown together, like children visiting their grandmothers. When I asked him, near the beginning, how he imagined our relationship ending, since neither of us envisioned a longer-term relationship with each other, he said, “I imagine you will meet a Spanish intellectual who will whisk you away and be the partner I can’t be. And I’ll find my ax wench who wants to live in a basement and play D and D with me, when we both don’t need five hours of alone time.”

So, we had dinner every Monday and Wednesday night: pizza and gin or Thai food and white sheets and cool white wine. We were reading Tennyson’s Idylls of the King together; we were up to “The Marriage of Geraint.” We had a cafe and a place to get Stockholm Buns, which we’d eat as we walked on Golden Gardens beach on Thursday mornings. I made him CD’s, even though he said he didn’t like music, and he made me a Valentine, which he walked over to deliver to me on Valentine’s Day proper, even though I wouldn’t be getting home that day until much later and wouldn’t see him. I wrote him poems. “Brynny! I deserve humorous limericks! Not beautiful poems with complex rhyme schemes and intricate imagery,” he wrote in response to the poem at the end of this piece.

But that’s what happens sometimes. The person you thought was simply beside you is a real person, and I love real people. I found that I loved this real person: full of confidence, able to make me laugh uncontrollably by imitating his dog becoming suspicious while eating, someone who claims to be bad at conflict but who was often first to offer a useful solution, the deep voice in the dark night, a man already, despite his own ambivalence and the hobbies he claimed would always keep us apart.

At some point, we all think that what we DO is who we ARE; we believe our hobbies and beliefs MUST be shared, in order for someone to prove they know us well and that they approve of what we know. How else would we know how to play, when we are small? I have Barbies, and you have Legos; it can be hard to share a landscape, even in imagination, so we begin with what seems most obviously to hold us together. But what I know at this point in my life is that it’s not the toys that make the landscape: it’s us. And even if we start out side by side, accidental friends in our grandmothers’ apartment complex, sometimes we find the way to real love, our differences complementing each other, as do spicy chicken wings and cold rice salad. We need others—not just to define who we are through difference but to have our own flavors enriched.

Rice salad alone . . . it’s ok, I guess. But, having had enough, I would rather have more.

“Terza Rima for Dan”

Once-near star, his lost light
lingers, fixed by all cold space,
still, vast, and endless as a blight.

New star, I look upon your face,
our constellation from a different sky,
now shining in this place.

The Southern Cross is flipped
like a light switch. I’m in darkness there,
on fire here, an ember dipped

into the ether. Your hair,
my legs, our lips erase
the stars, leaving this night.

The Ex-Boyfriend Cookbook Meditation Challenge: Day 6—Love Can Never Be Junk Food

Today’s story: We meet today Ralph, of “Ralph’s Popcorn Cake.” Firstly, I find it incumbent upon me to remind everyone that these are not my stories. This cookbook is an ACTUAL cookbook by Erin Ergenbright and Thisbe Nissen, who, my friend Catherine informed me, teaches at her university in western Michigan. (And look at Thisbe’s super-cool notebooks on osperies! She and I should be friends.) Thisbe has a Wikipedia page; Erin does not. Oh, writing: it’s hard to determine what makes someone visible in the literary world. They both did MFA’s at Iowa—the very Iowa to which Hannah from Girls was accepted. On the show, they act like it is a big deal—and it is . . . but it’s not like being in the Mafia, where you can become a “made man.” One thing I find hard, with flashes of finding it wonderful, is that every time you achieve something big, you think you’ve got it made. Sometimes, one big thing opens you up to other big things. Sometimes, you (meaning me) hit it big and then simmer. I hesitate to say “recede.”

This leads us to Ralph. Apparently, Ralph made one of the authors popcorn cake, and she fell in love with him for it, only to “spend the next two months trying to extricate yourself from a relationship that was suddenly not what you thought it was.”

I had a popcorn cake for, I think, my seventh birthday. Or ninth. It was good—think “bundt cake-shaped popcorn ball, with M and M’s.” This version includes gumdrops, which seems like overkill, and pushes it into that category of Midwestern “delights” that you make for a coastal potluck, years later, and can’t believe you ever ate multiple pieces of something that sweet.

The lesson: One big hit does not equal a lifetime of love.

Jerry Seinfeld put it another way:

Of course when you’re a kid, you can be friends with anybody. Remember when you were a little kid what were the qualifications? If someone’s in front of my house NOW, That’s my friend, they’re my friend. That’s it. Are you a grown up.? No. Great! Come on in. Jump up and down on my bed. And if you have anything in common at all, You like Cherry Soda? I like Cherry Soda! We’ll be best friends!

Yeah. I still do that.

If you’ve been reading my “Music and Intimacy” essays, you KNOW I still do that.

I offer my love for a song, literally, pretty often. When I was at Kansas State, a guy drove me out into the country and played Kate Bush’s “Running Up that Hill” for me, while we lay on the warm car hood and a cool summer breeze blew over us. It was the first time I’d heard the song. If you didn’t fall in love then, you are made of stone.

Other times, it’s a sentence a student writes that shows they are moved by something in the world, or a sympathetic look someone gives you at a party that makes you think that even though they don’t know you at all, they totally know. One of my favorite UW students, Nicolene, told me about her deep bond with a friend over a misreading of a line in The Catcher in the Rye. My own best friend from high school, Amy, and I often ended conversations with the words “You know?” “Yeah, I know.” As if tacit understanding was all you needed.

But sometimes, it is. Why does this lesson usually have the implicit moral of “and so, don’t do that again”? It’s true that the “Running Up that Hill” guy wasn’t as spiritual as I thought he was; he was just Christian. Also true is that the student’s beautiful sentence doesn’t always bespeak a complex intellect and struggling soul.

I don’t care. I think I could count on one hand–maybe even one finger–the times those connections really weren’t worth it. Is it really wisdom to start mistrusting those small offerings, those tiny gestures that reach you, even if that person wasn’t reaching out? Are you shallow if you respond equally to a shared secret and popcorn cake? Last week, I told my already-wonderful, brilliant British literature class that I had started watching Game of Thrones. Later in the week, one of them was talking about Heathcliff or Hareton (almost same diff), how he was both part of the family, yet not part of the family, and I said, “So, he’s a Greyjoy?” They erupted in laughter. I swear to God (on all the gods that be!!) class has been even better, even livelier.

I think of my beloved Walter Pater, whose conclusion to The Renaissance inspired the title of this blog: “To burn always with this hard, gemlike flame, to maintain this ecstasy, is success in life.” This is why I will never be the kind of cool that listened to punk rock. Although (of course) I love the Ramones song, I don’t wanna be sedated. I want to be ignited—even by the tiniest of matches, even if, like Hans Christen Anderson’s “The Little Match Girl,” the flame burns out quickly. She is left colder than before and dies, when her matches run out.

I will never run out of matches.